Oh, The Thinks You Can Think!
Horton Hears a Who
Biggest Blame Fool
Biggest Blame Playoff / Gertrude McFuzz
Here on Who
It's Possible (pt. 1)
It's Possible (pt. 2)
The One Feather Tail of Miss Gertrude McFuzz / Amazing Mayzie
Amazing Gertrude (pt. 2)
Monkey Around / Chasing the Whos
Mayzie's Exit / Horton Sits on the Egg / Dilemma / Hunters
Egg Nest and Tree
Sold / Mayzie in Palm Beach
Solla Solew
All For You
The Whos Return_The People Vs Horton
The People Versus Horton the Elephant (pt 2)
Yopp!
Oh, The Thinks You Can Think! (Finale)
Green Eggs and Ham (Finale Bows)
Suggested Readings
Seussical Jr. Call Back List
Please look to see if you are listed and need to be at call back auditions on Thursday, Dec. 18th 1:00 - 3:00.
Please know that even if you are not listed here
YOU WILL STILL BE CAST!
Call backs are only to take a 2nd look at some
and see others in different rolls.
Check all roles as some names are listed twice.
Final cast will be posted by Friday, Dec. 19th 3:00
Please be prepared to:
1. Sing the WHOLE song listed next to each character
2. Study the "sides" that will be posted soon.....
(Monday, Dec. 15th at the latest)
For questions regarding call backs you can email any one of us:
jepstein@gusd.net
cgilbert@gusd.net
cneel@gusd.net
For questions regarding call backs you can email any one of us:
jepstein@gusd.net
cgilbert@gusd.net
cneel@gusd.net
The Cat in the Hat
Song: Oh, The Thinks You Can Think!
Sides for The Cat
Sides for Marshal (The Cat plays this character also)
Taline Hagopian
Zion Sosa
Jojo
Song: It's Possible (pt. 1)
Sides for Jojo & Horton
Elise McMillen
Kylie Bacalso
Horton the Elephant
Song: Alone in the Universe
Sides for Jojo & Horton
Sides for Horton, Gertrude, Sour K
Sides for Horton, Mayzie, Bird Girls
Sides for Horton, Yertle, Bird Girls, Marshel (The Cat)
Sean Vargas
Joseph Moore
Gertrude McFuzz
Song: Notice Me, Horton
Sides for Horton, Gertrude, Sour K
Reegan Tribble
Dalita Tahmassian
Mayzie La Bird
Song: The One Feather Tail of Miss Gertrude McFuzz/Amazing Mayzie
Sides for Horton, Mayzie, Bird Girls
Peyton Tribble
Sydney Madamba
Bird Girls
Songs: The One Feather Tail of Miss Gertrude McFuzz/Amazing Mayzie
Sides for Horton, Mayzie, Bird Girls
Sides for Horton, Yertle, Bird Girds, Marshal (The Cat)
Taehee Lee
Noemi Mesropian
Luna Molina
Caroline Choi
Sour Kangaroo
Song: Biggest Blame Fool
Sides for Horton, Gertrude, Sour Kangaroo
Catherine Dietschak
April Morales
The Wickersham Brothers
Song: Monkey Around / Chasing the Whos
Sides for Wickersham Bros & Vlad Vladikoff
Max Allen
Mick Recendez
Joseph Moore
Jake White
Hayk Yengibaryan
Ashwin Losari
Mr. & Mrs. Mayor
Song: How to Raise a Child
Sides for The Mayors and The Grinch
Sides for Mr. & Mrs Mayor
Mick Recendez
Jake White
Janika Baghoomian
Kayla Flores
Isabelle Kassardjian
Essence Williams
The Grinch
No Song
Sides for The Mayors & The Grinch
Skyler Ibsen
Hayk Yengibaryan
Seussical Jr. Audition Information
Auditions - Dec. 4th & 11th
Call backs - Dec. 18th
Students should be prepared with:
1. Headshot and Resume
2. A monolog (from The Little Mermaid) memorized
3. A song from the Seussical Jr part they are auditioning for memorized
3. A song from the Seussical Jr part they are auditioning for memorized
(it's always a good idea to have a second choice ready as well)
4. A cold reading of sides will also be a part of the audition
Audition Scores/Scripts/Sides
Pick ONE monolog to use in your audition:
Ursula
Sebastian
Prince Erik
Carlotta
King Triton
Oh, The Thinks You Can Think!
Audition piece for "The Cat in the Hat" & "Jungle Creatures"
It's Possible (pt. 1)
Audition piece for "Jojo"
Alone in the Universe
Audition piece for "Horton The Elephant"
Notice Me, Horton
Audition piece for "Gertrude McFuzz"
The One Feather Tail of Miss Gertrude McFuzz/Amazing Mayzie
Audition piece for "Mayzie La Bird"
Biggest Blame Fool
Audition piece for "Sour Kangaroo"
How to Raise a Child
Audition piece for "Mr. & Mrs. Mayor"
Monkey Around / Chasing the Whos
Audition piece for "The Wickersham Brothers"
Hear on Who
Audition piece for "The Whos"
Master Class Parent Information Meeting
Oct. 2nd, 2014
American Musical Theater Timeline Presentation
Bring your research to class tomorrow - Oct. 2nd
to work on your playbill for our timeline!
For Important Messages about Master Class,
please enroll in Remind101 by text or email.
Follow the directions here!
Starting the year off with some games
to learn the history of Musical Theater!
Our Year-at-a-Glance
Dear Master
Class Parents,
Thank you for
supporting your child’s participation in our new Master Class for musical
theater. We do not have a mandatory
registration fee, however, putting on a musical production does not come free
of charge. We will be fundraising and
collecting donations as the year progresses.
We are asking everyone do their part to help with the cost of our
production. Every student is responsible
for collecting $100.00 via sponsorships,
fundraising or family donations.
Stay turned…more detailed information will be coming soon!
As you know, we
are busy gearing up for our year, but we wanted to take a moment to highlight
some of the countless benefits of putting on a musical with students. Having a regular creative outlet is not just
part of a well rounded education – it is essential for a child’s emotional
health and well being. Producing a musical
brings the arts together and provides growth opportunities for all varieties of
learners. For example, kinesthetic
learners engage their bodies through dance, linguistic learners dive into the
written and spoken word, spatial learners tackle set and costume design, and
musical learners revel in the show’s score.
Besides being incredibly fun, musical theatre helps young people develop
many of the skills necessary for success in today’s world:
Self-Confidence:
Throughout
the rehearsal and performance process, young performers discover how to take
creative and emotional risks and learn to trust their abilities.
Literacy:
Students
increase reading and writing skills
at
their own pace by immersing themselves in the story, reading and re-reading
their scripts, memorizing their lines and taking notes at rehearsal.
Communication:
During
rehearsals, students learn how to articulate their thoughts and questions and
carefully listen to direction in order to improve their performances.
Imagination:
Theatre
is most dynamic when the imaginations of its participants are fully
engaged. Students make countless
interpretive choices in design and performance to create a detailed, fictional
world for their audiences.
Empathy: Through
character work and story creation, young performers explore the lives of
others. First-hand perspectives of new
circumstances challenge prejudices and aid in the development of well-rounded
students and citizens.
Critical Thinking & Problem Solving: The amount of work required to
successfully put on a show makes all participants valuable troubleshooters.
Whether inventing mnemonics to remember lines, adjusting staging to show off
everyone’s faces, or mastering a tricky scene change, students have countless
opportunities to creatively tackle challenges.
Self-Discipline:
Through
prompt attendance at rehearsals and learning lines, music and choreography on
schedule, students acquire valuable self-discipline techniques and become
reliable and trustworthy members of an ensemble.
Community Awareness: A theatrical production provides ample
opportunities to connect with our families and neighbors. Students can engage parents, community
centers and local vendors to help create sets, props, costumes and publicity.
Public Speaking:
Whether
performing for their peers during rehearsal or for their school and local
community during a performance, students gain expertise and confidence speaking
in front of a group.
Curricular Integration: A musical provides a rich and engaging
springboard for students to explore many subjects in their classrooms and
discover connections among various modes of learning. Our ShowKit came with show-related lesson
plans for English Language Arts, Math, Social Studies and more – all of which
fulfill the Common Core State Standards.
Teamwork:
Theatre
requires extensive creative input from all its participants. Students build ensemble by working together
to rehearse, construct, promote and perform their show. Every role – whether onstage or behind the
scenes – is vital for the show’s success.
As you can see,
our students will gain valuable life skills through their participation in this
production. We’re looking forward to each
rehearsal and seeing you on opening night, if not before! Of course, we’re always looking for parent
volunteers to help pull everything together.
Please contact us if you’d like to lend a hand with our show. Thank you again for your continued support of
our program.
Sincerely,
The Performing Arts Department,
Mark Keppel VAPA Magnet
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